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FRESH 
YARN PRESENTS: 
            Bigotry, 
              Cross-Dress Day and the Luckey Elementary 4th Grade Production of 
              Sounder 
              By Larry Dean Harris 
             
               
             Have 
              you ever noticed how all the truly bigoted expressions are blessed 
              with hard consonants? Faggot. Nigger. Spic. Kike. Dyke.  
            As 
              if, by design, each word was especially crafted for maximum effect: 
              the unstoppable force of every perfect syllable as it creases the 
              air with a dab of spit to ensure perfect trajectory, fueled by the 
              momentum of intention until it reaches its target. Impact! The insult 
              finds its mark. 
            When 
              I was six, I learned my first hateful word: prick. I had overheard 
              an older neighbor use it jokingly in conversation, and I loved the 
              sound of it, the way it rolled off the tongue: P-rrrrrrr-icK! 
            Proud 
              of my new verbal acquisition, I promptly tested it on my dad, who 
              immediately taught me about the pain hateful words can cause. My 
              own posterior pain, that is. But it was somewhat of a paradox. For 
              I eventually learned that it was okay to use derogatory terms as 
              long as they were aimed at OTHER people. You know, folks "Not 
              Like Us." Growing up in a small rural community where everyone's 
              white, Protestant, middle class and Midwestern, those OTHER people 
              were pretty easy to spot. Especially in 1972. 
            They 
              rode the school bus only for the first two or three weeks during 
              tomato picking season. They appeared on the 6 o'clock news from 
              the big city as felons and murderers. They came into our neighborhoods 
              to find affordable housing, but never bought. 
            And 
              having no deep socio / cultural / generational roots of my own, 
              I WAS FASCINATED! You see, we're essentially mutts in my family, 
              although I pride myself on our hillbilly heritage (hey, we invented 
              Mountain Dew!) 
            But 
              we have no fiery passion, no traditions in the Torah, no pasta recipes 
              handed from generation to generation, no folk lore or stories from 
              the Old Country, no gospel, no Great Spirits, no curses, no Uncle 
              Louie's or Crazy Aunt Esthers. 
            We 
              have Patsy Cline, Sears Roebuck and corn dogs. 
            I had 
              a friend who once professed that he was a "black man trapped 
              in a white man's body." In reality, he was a gay man trapped 
              in a white man's body. But I could relate.  
            When 
              I was in fourth grade, our teacher announced to us that we were 
              going to put on a play, but she hadn't selected one yet. Being an 
              overachiever and sympathetic to her plight, I set out in search 
              of the perfect play. In truth, I'd never actually seen a play, which 
              made the search all the more difficult. 
            As 
              luck would have it, my teenage sister was reading one of those scholastic 
              magazines (you know: the ones that proclaimed "Don't use drugs. 
              Except Stridex®) and what was on the cover? "INSIDE: 'SOUNDER': 
              THE COMPLETE SCREENPLAY." 
            And 
              since I didn't know the difference between a play and a screenplay 
              (now that I live in Hollywood, I do: a play is pithy and well-crafted, 
              a screenplay is banal and lucrative), my search had ended. 
            Now 
              for those of you unfamiliar, Sounder is the 1972 Oscar-nominated 
              film about a family of poor black sharecroppers in 1933 Louisiana 
              starring Miss Cicely Tyson and Paul Winfield. The title character 
              is their dog. 
            Well, 
              the next day I marched into class, handed the magazine to the teacher 
              and said "Here's our play!" She took one confused look 
              at the cover, said she would "consider it" and then placed 
              it onto a pile on her desk. 
            As 
              luck would have it, before a play could be selected, the poor dear 
              had a nervous breakdown (we never learned the details, although 
              infidelity at home was suspected), and a fresh college graduate 
              from the local university was hustled in to replace her. 
            "I'm 
              afraid Mrs. _____ (name removed to protect the insane) didn't leave 
              any lesson plans, so I'm going to have to ask you what you were 
              working on," she smiled. 
            My 
              hand shot up immediately. "We were going to do a play! Sounder." 
               
            "Are 
              you sure?" the sub questioned. 
            "Oh, 
              yes," the class responded in unison. "It's on your desk." 
            Maybe 
              it was naiveté on her part, but I don't think so. I'd like 
              to think this child of the '60s (who probably wanted to go to Berkeley, 
              but her parents made her go to Bowling Green) saw this as an opportunity. 
            We 
              read the original book on which the film was based. She managed 
              to procure a copy of the film for us to watch, and together we learned 
              what it was like to be black in the South during the Great Depression. 
            The 
              play was edited (for time and language) and cast with me in the 
              Paul Winfield role. My character had stolen food to feed his family, 
              so I spent a better part of the play in a refrigerator box transformed 
              into a prison cell.  
            I don't 
              remember who played Miss Cicely Tyson's role, but I can tell you 
              that Cicely lost the Oscar to Liza. And I do recall the entire class 
              wanting to play the dog.  
            The 
              big day finally came, and all our parents shuffled into the classroom 
              to witness their white, Protestant, middle class, Midwestern children 
              become poor black Louisiana sharecroppers.  
            This 
              was definitely a first for Luckey, Ohio. Desegregation had crept 
              into our school, under the guise of thespian 10-year-olds. And just 
              as the "N" word was stricken from our version of the play, 
              it was stricken from my -- and many of my classmates' -- vocabulary 
              that day.  
            The 
              old adage says "Before you criticize someone, walk a mile in 
              his shoes." That way, you're a mile away AND you have his shoes. 
            But 
              seriously, there is credence in the belief that we fear what we 
              do not know. And I'm just as guilty. 
            A friend 
              here in LA shared a story of her daughter's day camp celebrating 
              Cross-Dress Day. On this particular day -- part of an entire week 
              of dressing up (you know: Sports Day, Green Day) -- boys would dress 
              as girls, and girls would be boys. 
            I immediately 
              feared the worst, registering my concern. But Diane shrugged, laughed 
              and said the kids loved it. They hadn't been exposed to homophobia 
              yet. They just knew it was their chance to be someone different 
              for a day, and they celebrated the event as kids do: with unbridled 
              enthusiasm and spirit. 
            This 
              is a new generation that isn't offended by gay marriage, interracial 
              love, or diverse religions. Maybe they will help us forget all those 
              words with the hard consonants and replace them with the softer 
              sounds of "peace, love, diversity, humanity." 
            And 
              maybe, just maybe, our little elementary school production in a 
              little town in Ohio played the tiniest role in this quiet revolution. 
              That's a legacy I can embrace with pride. 
             
             
            
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